Project 3: Installation

I struggled to think of large-scale work which wouldn’t directly or indirectly (through use of materials) damage the environment. So I thought I might go small instead. So an early idea for this was to solder wires together to make spiders webs and leave them on dead trees in the local woods. I tried doing one of these, which worked out OK. However, whilst doing research for this section I began to question whether this would be an installation, or due to is being small, an intervention. I decided it would be the latter, although I guess a large number of them would increase the scale to the point of an installation.

I decided to re-think and came up with an idea for producing an installation in my spare room.

This is used as a general dumping ground when no-one is staying, so some clearing up will be required before doing anything, but I sketched out some ideas on photos of the room:

My thinking was to have a continuous line around the whole room, in some ways similar to Edward Krasinski’s blue tape line (Tate, 2019), although not a straight line and varying in media in different areas of the room.

Curtains – draw across window, line sewn in? Or maybe just in tape so doesn’t have a lasting effect on them.

Bookcase/shelf – line in wire coming out into the room similar to Eva Hesse’s line coming out from the picture frame (, 2010) – going through books on bookcase and around pots on the shelf.

Wardrobe/door – lines in masking tape to avoid damaging them.

Wall by door – have the line follow features in pictures on the wall (echoing work in project 2 when interacting with the environment).

Wall above bed – cover wall with life drawing images (maybe part cover them over in charcoal?) and draw a line across all of them in white or silver echoing a heartbeat from a hospital monitor.

I started with the curtains, using ribbon pinned onto them, with marking tape continuing the line to the next wall. Then I started on to the wire through the bookcase and shelf. I couldn’t bring myself to drill through any normal books, but I had a couple of work ones which were being thrown away. These required propping up as they were not very stable – I guess they could be glued down if this was a more permanent installation. It was more difficult than I thought it would be to make the wire do what I wanted it to, probably because my end points weren’t very stable.

Using masking tape around the cupboard and door worked OK, but the tape didn’t stick very well to the picture glass and it’s size meant that it obscured the features it was following rather than highlighted them.

I then covered the main wall in life drawing images. I decided to draw over them using red 3D paint. This worked quite well, but didn’t stand out quite as well on very dark areas as I had hoped.


It was good to go big on this project and produce work which used the whole of a room. Scale often constrains my work as my house is full enough already without keeping adding to it. It was nice to shift scale and think what could be achieved on a large scale on a temporary basis.

I think the wire element of this installation could be developed more. Books of relevance (maybe one on Edward Krasinski?) could be used if I could bear to drill through them. More could be made of the wire puncturing these, or the wire could perhaps be shaped into words as it exits the books?

The masking tape over the pictures was too thick and ended up obscuring the features it was following rather than highlighting them. A thinner line in paint or wax might have been better (if it could be removed afterwards). What would have been really good to do would be to draw onto the landscape in a way similar to Christo and Jeanne Claude’s ‘Running Fence, 1972-76’ (Javacheff and Denat, 2019), and use images of these to continue the lines.

The wall of life drawings provided a big impact piece on the wall of the room and looking close up, the line over these drawings worked the best. However, it was not very visible from further back, so a thicker line or a different colour would have made it stand out more from the background.


Javacheff, C. and Denat, J. (2019). Projects | Running Fence. [online] Available at: [Accessed 8 Apr. 2019]. (2010). On Line: Drawing Through the Twentieth Century. [online] Available at: [Accessed 5 Mar. 2019].

Tate. (2019). Edward Krasinski 1925-2004 | Tate. [online] Available at: [Accessed 9 Apr. 2019].

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