Project 3: Narrative

This project was one of those which caused a block for me in struggling to think of anything I could do to which would inspire me. Apart from friends and family, I generally don’t hold strong opinions about people. There are a few politicians which are the exception, but I don’t want to explore drawing people I despise, so friends or family it was. Translating that into an item of clothing was then very difficult. I toyed with drawing some purple clothing for my wife, but wasn’t overly inspired my this. I decided to bend the brief a bit and do a drawing of my father with an OS map background and him measuring a walk with a handkerchief, his favoured method of working out a walk length.

I decided to collage a map onto the paper to create the background. I tried as test piece at a life drawing session – it worked, but was more difficult to draw in charcoal over it than it was just on the paper. I decided it was worth carrying on with it though.

Map background test

So I prepared a piece of paper with a torn OS map over half of the page. I sketched in a handkerchief shape and painted in gesso, then covered the gesso and map in a pastel ground to enable it to take a charcoal drawing.

Dave drawing 01

This worked OK, although the hands are a little small (because they are drawn from my own, not my fathers!). The blending of the figure into the map could be better around the shadow of the head also.

I tried a second attempt:

Dave drawing 02

I was pleased with the drawing of the face, it was just a shame it looked nothing like my father! I think the issue is that the eyes are too high and the face too wide. The handkerchief and compass also look a little lost and don’t fit in with the rest of the drawing.

Reflection

My first attempt was the better drawing, both in composition and in looking like the subject I was drawing. The drawings are only loosely based on the project brief, but I have to modify to make them inspiring to me to get the most out of it. I’m not sure the two parts of the drawing blend well enough together, but the collaging of the maps onto the background worked well.

The course asks to reflect on the possibilities of juxtaposing apparently incongruous materials and subject, using the example of an enormous violently applied drawing, engine oil on sheet steel, of a newborn baby and how that would be read. In this example, I can see how the drawing materials and methods could be used to play with how you see a subject. However, this (and this project brief) is a good example of where I struggle with the course sometimes – getting emotion into an image when I am not a highly emotional person. I’ll keep trying, but I am more likely to introduce science than emotion into my drawings.

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