Research point

The course pointed me to look at three artists who make work which both creates and denies three dimensions at the same time and make notes on their work.

Angela Eames

Eames produces very interesting digital work.

The series ‘Fires over Western Africa’ look like satellite images of the area of Africa, manipulated into straight lines, with the fire locations overlaid on top – basically using GIS (which I use in my day job) to make art. In a similar way to Rebecca Chesney she is keeping her wonder at the technology and using it to produce artistic work. It looks like Eames is more focused on making a finished artistic ‘product’ than Chesney is though.

Interestingly, on her home page she explains that she is trying to capture the immediacy / messiness of drawing or doing, something that is usually lacking in digital drawing. However, the lack of ‘mess’ is what strikes me about her work and makes me not warm to her images, so I’m not sure she has achieved this yet. The images I like best in her portfolio are the ones that are not digital drawings:

‘Finalfusion_#1’ and ‘Ochestration_#3’. These drawings remind me of microscopic images of organisms, or cross sections of plants, imagery that interests me and I like the way she has produced these with interesting and varied mark-making. They use the layering of different images that she has also done with digital images, but the drawings work so much better for me. With the digital versions she has pixilated them heavily, perhaps to try to get some ‘mess’ into them, but they make them look out of focus and highlight their digital nature which puts me off (perhaps because I am trying to escape from computers in my art work?).

As for the 3D nature of her work, it is primarily through her use of line she represents this. There is shading also, but it looks quite crude (i.e. not believable) digital shading.

Michael Borremans

Very skilful paintings with intriguing subjects – floating people with no legs, or partially painted people such as a floating head in ‘Sleeper, 2008’. They appear to make no sense and so invite you to question what is happening and why they are depicted in this way. I like them, but I’m struggling to put my finger on why! Maybe it is because they appear traditional in the way they are painted, but not traditional in what they depict? Very interesting work.

Looking at his 3D depiction, he skilfully depicts shadows in his paintings to represent the 3D surface, giving the images a very lifelike appearance.

Jim Shaw

Jim Shaw’s images use a cartoon style of drawing/painting, and shading is often absent and the images very flat. When he does use shading, it is usually in blocks of colour and stylised. In general they leave me cold and I struggle to see any merit in them. The closest I can get to liking one would be ‘Four Men with Arms Raised #1, 2012’ in which I like the play on scale and the airbrushed lines. I don’t think I will be taking much from this artists work though.

References:

Artnet.com. (2018). Jim Shaw | artnet. [online] Available at: http://www.artnet.com/artists/jim-shaw/ [Accessed 22 May 2018].

Eames, A. (2018). Angela Eames | Artist | Drawing and Technology. [online] Angela Eames | Artist | Drawing and Technology. Available at: https://www.angelaeames.com [Accessed 22 May 2018].

Zeno-x.com. (2018). Zeno X Gallery – Michaël Borremans – Selected Works. [online] Available at: http://www.zeno-x.com/artists/MB/michael_borremans.html [Accessed 22 May 2018].

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