The pollen grid work doesn’t fit with the other 3 sculptures as it is very different in form and style. The grid works well, however the pollen grain is a bit too sterile? I think the decaying pollen sculptures have shown me that I need to try to introduce more randomness into my work. Also on this piece, it was put together to hang from the wall like a picture on D rings and string. However, this tips the piece forwards which doesn’t work as well. It would be better having recessed fittings in the back board so it fits flush against the wall.
The ‘Animalcule’ series of sculptures worked quite well. Working with open steel forms allows me to work on a much bigger scale without the issues of weight in using metal.
‘Animacule 1’ would probably have worked better using my original idea of Egyptian paste for the centre pieces if this could be achieved. Cast glass would also be an interesting alternative. The paper forms are a bit too messy for my liking – too messy in being not very well manufactured that is, messy in an unpredictable cracking like that which would be on the Egyptian paste would be fine.
The use of fabric and eyelets in ‘Animacule 2’ works well, although the fabric could do with being thicker to allow the eyelets to grip better and have less risk of pulling out. I wonder whether the fabric could have been drawn on or whether that would distract from the form. The unfinished steel works well with the slightly fraying fabric. Longer term it might need some kind of finish to protect it.
Leaving ‘Animacule 3’ as unfinished steel and bronze seemed to work well, echoing the feel of the organisms when looked at under the microscope – like unfinished basic forms of life. Whether it works better like this or finished as originally intended remains to be seen.
The ideas used in the animalcule series could have been developed further, but weren’t due to my restricted timescale in getting through this course before the 2 year time limit runs out. Overall I think they have been successful though, with the open steel forms and the material wired onto it being ideas I may carry forwards with my work. I just have to work out how on earth I’m going to store works of this size now!