Land Art research continued

Yorkshire Sculpture Park exhibition – Uncommon Ground : Land Art in Britain 1966-1979

My overall impression of this exhibition was that it was very 70’s! Making pictures by burning card with a magnifying glass for 5 hours (Roger Acking “Five hour cloud drawing, 1980”), filming the lighting of fires in grids (Anthony McCall “Landscape for fire, 1972”), photographs on walks (Richard Long & Hamish Fulton), etc. It would be interesting to know how many of these artists are continuing with similar work today or whether they have moved into new fields.

Andy Goldworthy’s images (e.g. “snowball, 1979”, “Black (soil covered) snowball, 1979” or “Forked Twigs in Water – Bentham, 1979”) are very distinctive and obviously his work. Whilst they do show his style, they do seem less perfected / beautifully photographed than his later work.

Tony Cray “New Stones – Newton’s Tones, 1978” is a surprisingly beautiful work given that it is made out of plastic debris, but the colour arrangement (in the approximate sequence of colours in the spectrum of white light) and the arrangement of the items in a perfect rectangle make the piece work well. He is also making an obvious statement of ecological concern by using plastic rubbish sources from along the banks of the Rhine neat to his home.

I also particularly liked John Hillard’s “Across the Park, 1972” which is a series of 8 photographs framed in pairs one above the other. The top photograph of each pair is the same section of a photograph of a man walking, the bottom photograph of the pair reveals more of the scene below, to the right, above and to the left of the man. The overall effect of which was very clever and brought a smile to my lips!

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